#Amar chitra katha animated series series

'They brought in Anant Pai' says Ananthram. To Ananthram's satisfaction, the 1965 Kannada ACK venture was a great commercial success which led to Mirchandani in the head office in Mumbai pursuing the Amar Chitra Katha idea in English diligently. 'The English ACK titles begin from number eleven because the first ten were in Kannada,' clarifies Ananthram. Ananthram which led to the first Amar Chitra Katha comics being produced in 1965-in Kannada, not English. Has this article about the genesis of this popular comic series: The idea and proposal for Amar Chitra Katha was made by a Bangalore book salesman called G.K. The above is an oft-told story of how ACK was founded beginning with 'Uncle Pai', in Mumbai in 1967. The first Indian comic done and released in ACK was Krishna (serial number #11). ДЄfter quitting Indrajal Comics, Anant Pai started Amar Chitra Katha (ACK) by buying the rights for 10 American fairy tales such as Red Riding Hood, Jack and the Beanstalk and Pinocchio. It so happened that a quiz contest aired on Doordarshan in February 1967, in which participants could easily answer questions pertaining to Greek mythology, but were unable to reply to the question 'In the Ramayana, who was Rama's mother?'. He was shocked that Indian students could answer questions on Greek and Roman mythology, but were ignorant of their own history, mythology and folklore.

#Amar chitra katha animated series series

It will be no different for India.The comic series was started by Anant Pai in an attempt to teach Indian children about their cultural heritage. Now Korean drama series and KPop have broken out. For example, there was a phase when Chinese and Hong Kong Kungfu movies had become quite the rage. Obviously, over the years, Hollywood has built this powerful franchise of content that is designed for worldwide audiences, but I think content from other countries will also gradually gain universal acceptance. All content is created for a primary audience sometimes, some of that content transcends languages and geographies to resonate with a global audience. That being said, as the market expands, streaming content will be distinctively divided into a massy AVOD offering and more premium SVOD fare. I think the quality of Indian Content is constantly improving. From a quality perspective, where does India stand in the global scheme of things? Can we have content that goes beyond geographies and finds relevance across the world, something on the lines of Money Heist/Game of Thrones? Q) Having your content on global OTT platforms also means the world is opening up for the content. Our key differentiator from other studios remains our вЂrisk-rewardвЂ™ philosophy that sees us invest upfront in content creation, to be licensed to platform partners later. Our learnings from the past 4 years have also helped us improve on our creative and commercial algorithms, and now allows us to place bigger bets with talent and scale.

The audience appetite for quality content will only increase thatвЂ™s the key word вЂ“ quality вЂ“ and variety and diversity. We continue to aggressively invest in incubation and development from an early stage. How are you as a production house equipped to meet that demand, and what makes Applause different from other content production houses? People are hungry for bigger and better content. That way we will be able to anticipate and create for the gigantic streaming market that is exploding in India and all over the world. Our key learning has been in a way a validation of our original premise that we should obsessively focus on quality storytelling and carefully listen to what our consumers are saying, feeling, doing. Be it shows like Criminal Justice or Scam 1992, Applause has come up with content that has stood out. The 4-year-old Applause Entertainment, a content studio that is part of the Aditya Birla Group, has been a frontrunner for coming up with content that has been noticed and appreciated. Indians are hungry for good content and OTT platforms have been constantly trying to up their games because it is only strong content that will help them break the clutter and make consumers choose one platform over the other. The last few years have given content studios in India a brilliant opportunity to put their best foot forward. We speak to Sameer Nair, CEO, Applause Entertainment on all that is happening at the content studio and what more they have in store for us.Applause Entertainment, the content studio responsible for bringing series like Criminal Justice and Scam 1992 has been focusing on creating impactful content that stands out in the clutter.It is no secret that the Indian OTT space is booming and audiences are spoilt for choice in terms of the content available to them.